2023年4月2日星期日

Nakamichi LX5 cassette deck value and performance

 



Nakamichi LX5

The main features of the Nakamichi LX-5 are: 3 discrete heads and off-tape monitoring, digital tape counter with 4 digits and memory stop, manual tape type selection and capable of handling normal, chrome and metal tapes with additional manual equalization selection, belt driven dual-capstan transport.

Typical front loading cassette deck with the cassette compartment located on the left side of the deck. Tape eject is operated mechanically and the cassette needs to be placed with the side to be played facing forward in the cassette well which is opened by a damped mechanism. Additionally the compartment can be accessed easily for head cleaning by removing the well-cover. There is transparent shield of cover to the tape, so good to see no reflection but it tends to collect dust over the time.

Level meters used on the LX-5 are digital LED peak reading meters. Full-logic transport controls used on the LX-5 let it respond to the slightest finger contact for fast and effortless transport function selection.

Dolby C-type used in the LX-5 provides 20 dB of noise reduction above about 1,000 Hz, fully doubling the amount given by B-type. The three-head configuration of the LX-5 requires a Double Dolby system, one for recording and one for playback. The 19kHz multiplex pilot signal present in FM stereo broadcasts can cause false triggering of the noise reduction system. The switchable MPX filter of the LX-5 filters out the pilot signal, and assuring proper Dolby processing of FM stereo programs.

For undisturbed listening a jack connector for a pair of stereo headphones is supplied. Connection to other audio components for playback can be achieved by a RCA cable and recording from a source by a RCA cable. All main transport commands can be issued remotely with a wired remote control. Even the music lover unaccustomed to audio tape decks will find it remarkably easy to produce

extraordinary recordings on the LX-5 thanks to the sophistication that lies hidden within. Microprocessor control virtually eliminates the possibility of tape damage even if you press the wrong button, and a special feature creates professional fades to and from full recording level at the touch of a bar!

An advanced 4-bit N-MOS microprocessor monitors the silent mechanism transport, control panel and (optional) remote-control unit, senses your every command, interprets it, inserts intermediate commands if they are necessary to prevent tape damage, and instructs the drive on how best to carry out your wishes. A light touch on any operation button is all that is required on your part, and it is virtually impossible to make a mistake! The microprocessor also makes possible such added features as Auto Playback and Punch-In Recording.

Want to repeat a favourite selection or advance to another? Just press rewind (or fast forward) along with record to engage Auto Playback. The transport rapidly winds the tape until the counter reads 0000 and automatically begins to play from that point. To mark the point to which you want to return, just tap the tape counter reset button.

To do tight editing - say, to insert a narration between selections - you can switch directly from the playback to the recording mode without stopping the tape. Just press record and play together.

Once channel balance and maximum recording level are adjusted, you can create smooth fades up to full level and down to silence by pressing the right or left side of the Master Fader bar. A single tap initiates a 6-second fade; press and hold the bar and you create a 2-second fade -automatically!

Optimum bias often differs slightly among the various brands of tape even among those that are nominally of the same type. Since bias affects recording Characteristics (especially at high frequencies) and thus might prevent the very best performance, the LX-5 has a Bias Fine Tuning control to achieve optimum response with each tape. The control is set so that the playback sound matches the original as closely as possible.

(https://www.hifiengine.com/images/model/nakam

ichi_lx-5_discrete_head_cassette_deck.jpg)

This is very easy to do with the Discrete Head by switching between Tape and Source and adjusting the bias control until the sound quality is the same. The control's center detent marks the correct setting for Nakamichi tapes.

You can command the LX-5 remotely via the optional RM-200 Remote Control Unit. From your armchair, you can delete commercials from an FM broadcast, eliminate selections from a disc you are recording, or perform any other function which normally would be handled by the deck's local mechanical controls.

Connect the LX-5 to an ordinary electrical timer, and you can have the recorder wake you with music in the morning, turn itself off when you retire, even record a not to be missed FM broadcast while you are away!

Whenever the record mute switch is depressed, the tape continues to move but no new information is recorded. With record mute you can erase unwanted material, edit out unnecessary announcements during recording, and create blank sections of tape whenever you wish.

Each of the two electronic recording level indicators spans an exceptionally wide range to encompass the dynamics of modern program material. The 16 LED segments in each channel provide excellent resolution and accurately respond to peak recording level even during brief transients.

The LX-5 features an advanced bidirectional electronic tape counter that counts to 9999 when the tape is moving in the forward direction and to –999 in rewind. When the Memory switch is activated, the deck stops automatically at a precise indication of 0000 during fast forward or rewind.

Specifications

Type: 3-head, single compact cassette deck

Track System: 4-track, 2-channel stereo

Tape Speed: 4.8 cm/s

Heads: 1 x record, 1 x playback, 1 x erase

Motor: 1 x reel, 1 x capstan

Tape Type: type I, CrO2, Metal

Noise Reduction: B, C

Frequency Response: 20Hz to 20kHz (Metal tape)

Signal to Noise Ratio: 70dB (Dolby C)

Wow and Flutter: 0.06%

Total Harmonic Distortion: 0.9%

Input: 50mV (line)

Output: 1V (line)

Dimensions: 450 x 135 x 307mm

Weight: 8.5kg

 (https://www.hifiengine.com/manual_library/nakamichi/lx-3.shtml)

LX-3 (https://www.hifiengine.com/manual_library/nakamichi/lx-3.shtml)

 (https://www.hifiengine.com/manual_library/nakamichi/mr-1.shtml)

MR-1 (https://www.hifiengine.com/manual_library/nakamichi/mr-1.shtml)

Year: 1981

Price: USD $850 (1981) 

 

Market price now USD$600-800 (2023)

Performance

Listening

Sound is natural, clarity is high

7/10

 

Usage

Easy to use

9/10

Outlook

Sleek design especially with a cover to mask those buttons not frequently used

Price performance

9/10

Value

Cost performance for purely listening

8/10

Future appreciation

8/10

HK Snob

2023年4月1日星期六

Nakamichi Dragon auto reverse cassette tape deck


Nakamichi is equivalent to the name of cassette. I remembered I could not forget the sound was when I enter a Tsim Sha Tusi audio showroom in the 80 listening to the Dragon, it was my first fantastic journey to Cassette tape music. The price tag was HK$14,800. That is one year salary of an University graduate at that time.

In the case of the Nakamichi cassette deck, the design strategy was focused on creating a high-quality audio experience for customers who valued superior sound quality. The company achieved this through a combination of innovative engineering and careful attention to design details, such as the use of high-quality components, tape head auto calibration with precision manufacturing techniques.

Market penetration for Nakamichi cassette decks was initially limited to audiophiles and other music enthusiasts who were willing to pay a premium for superior sound quality. However, the company's reputation for excellence helped it to gain a foothold in the broader consumer electronics market, and by the 1980s and 1990s, Nakamichi cassette decks were widely recognized as among the best in the industry. Today, the company's products are highly sought after by collectors and music enthusiasts around the world.

Nakamichi cassette decks, particularly the Nakamichi Dragon, were highly regarded by music enthusiasts and professionals around the world. Many famous musicians and producers used Nakamichi equipment in their recordings, and the Dragon in particular was widely regarded as one of the best cassette decks ever made.

One famous user of the Nakamichi Dragon was producer and engineer Bob Clearmountain, who used the deck extensively in his work on albums by artists such as Bruce Springsteen, Bryan Adams, and The Rolling Stones. Clearmountain praised the Dragon for its exceptional sound quality and reliability, and he was one of many professionals who considered it to be the best cassette deck ever made.

Another famous user of the Nakamichi Dragon was musician and producer Brian Eno, who used the deck extensively in his work on albums by artists such as David Bowie and U2. Eno was known for his meticulous attention to detail in recording and mixing, and he appreciated the Dragon's ability to deliver high-quality sound with minimal noise and distortion.

Other famous users of Nakamichi cassette decks include musicians such as Stevie Wonder, Prince, and Peter Gabriel, as well as producers and engineers such as Quincy Jones, Phil Ramone, and George Martin. These individuals recognized the exceptional sound quality and reliability of Nakamichi's products, and they helped to establish the company's reputation as one of the best in the audio industry.

I am lucky enough to get one recently and was very amazed to his sound, so warm, so accurate and so sweet full of analogue tunes!

Forever Dragon

Nakamichi Dragon

HK Snob

Nakamichi, Braun, Pioneer Cassette decks


 These are some of my Cassette decks.
I still have a Victor, a Revox B710 MK II and a Pioneer T770S.
HK Snob

Nakamichi LX5 cassette deck value and performance

  Nakamichi LX5 The main features of the Nakamichi LX-5 are: 3 discrete heads and off-tape monitoring, digital tape counter with 4 digits ...